That Floating Poo Was Way Too Symbolic! These Are the Television Disappointments of the Year.

As we reflect on the television offerings of the recent year, a handful of shows stand out not for their brilliance, but for their notable failures. From cringe-inducing sequels to bafflingly poor documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this love/hate spin-off? Plagued with woeful writing, painful character development (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to justify its existence. Briefly, as the final series started, it seemed as if it had at last found its groove. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the creator declared this would be the last season. It ended on a bum note; the lingering shot of Miranda’s toilet flooded with poo was just way too on-the-nose. Still, fans undeniably found joy dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this show's issues. The subject of a very rare no-star review, it was difficult to know where to begin listing the problems. The hilariously wooden writing? The tedious glorification of affluence and materialism? The seemingly wilful procession of tropes? Performances so bad they felt borderline spiteful? Let’s just say “each and every one” and forget about this show again. However, a second season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this multi-part documentary which chuckled along at Sheen’s various episodes of self-destructive excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this show might induce should be saved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Iris Affair

Of course we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were many other problems. Mainly that it was just really boring; a conflict over drug-selling territory between various cockney rogues which seemed rather simplistic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised forays into quaint homemaking as deliberate provocations. But then you watch them and are compelled to admit that in this case, they may have a point. It’s like watching a homeware catalogue come to life; a meme for evening drinks with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental platitudes and pointless crafting “hacks” you’ll forget instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-worth. But for some reason, this three-part series chose not to explore them. Rather, the experience was like consuming a marketing brochure. She clearly has every right to resent what she describes as her “stern” image. But unfortunately, she didn’t do herself any helps with this cagey non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The show ended up smelling of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The pressure was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented emerging comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series laboured awkwardly to find the right voice, lurching from strangely breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the brink of a breakthrough that could ruin society? No! This globe-trotting thriller about secret services spying on – and eliminating – academics frankly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for sexual escapades as she undertook her biggest feat yet. What on earth would possess her? What we craved was way more examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Roy Powell
Roy Powell

A digital strategist with over a decade of experience in media innovation and content creation.